Eighteen vegetables, three kinds of wheat gluten, and a wok that never holds more than one ingredient at a time — the Buddhist banquet dish that makes fake goose taste better than the real thing.
Slapped onto the wall of a clay pit and pulled out minutes later blistered and steaming, Xinjiang naan is the desert bread that outlasted the Silk Road — and the only bread worth eating within fifteen minutes of the fire.
Cold, translucent wheat-starch ribbons under black vinegar and chile oil — the Shaanxi street bowl that has no skin in it, no noodles in it, and is better for both.
Lamb, tail fat and cumin folded into a paper-thin square, slapped onto the clay wall of a tandoor and hooked out eight minutes later — blistered, hollow-sounding, too hot to hold.
A whole black-pig leg rubbed with nothing but salt and left to hang in a cold Yunnan loft for three years — until it turns deep garnet, smells of nuts and aged butter, and can be eaten raw.
A two-year-old hen and a double handful of dried wild hazel mushrooms, simmered for ninety minutes until the broth turns the colour of strong tea, then finished with slippery sweet-potato noodles.
Eggplant, potato and green pepper, each flash-fried on its own, then tumbled together in a glossy garlic-soy glaze — soft, salty, sweet, and nothing like the health food the name promises.
Dark, lacquered rings of pork intestine braised through caramel, rice vinegar and spice — sweet, sour, salty and bitter in one bite, from the cut most kitchens bin.
A sea cucumber tastes of nothing at all, so Shandong's most expensive dish is built out of scallion oil, four days of soaking, and a cook who refuses to rush either one.
The first thing that hits you is the vinegar. Not the polite, subtle kind — the sharp, sweet-tart smell of aged mǐ cù hitting a hot wok, caramelizing …
The first time I saw Longjing leaves hit hot water, I was twenty-three and standing in a tea house on the southern shore of West Lake. The tea master …